present continuous
In these moments of immaterial and material intersections our understanding of surface and space are interrupted by texture, transparency, opacity, reflection and shadow. These photographic excerpts act as framing devices for experiences that compress time and space, slow the pace, allow for vulnerability, and recall the beauty in disruption.
Bemis, 2016
photogravure with gampi chine-collé on Stonehenge
edition of 3
23 x 42 in
photogravure with gampi chine-collé on Stonehenge
edition of 3
23 x 42 in
roof riders, 2016
photogravure with gampi chine-collé on Stonehenge
edition of 3
20 x 42 in
photogravure with gampi chine-collé on Stonehenge
edition of 3
20 x 42 in
future past, 2016
photogravure with gampi chine-collé on Stonehenge
edition of 3
27 x 33 in
photogravure with gampi chine-collé on Stonehenge
edition of 3
27 x 33 in
Städelschule, 2015
photogravure with gampi chine-collé on Stonehenge
edition of 3
22 x 30 in
photogravure with gampi chine-collé on Stonehenge
edition of 3
22 x 30 in
untitled (for Dan Flavin), 2016
copperplate photogravure with gampi chine-collé on Stonehenge
edition of 3
27 x 27 in
copperplate photogravure with gampi chine-collé on Stonehenge
edition of 3
27 x 27 in
skybridge, 2016
photogravure with gampi chine-collé on Stonehenge
edition of 3
28 x 40 in
photogravure with gampi chine-collé on Stonehenge
edition of 3
28 x 40 in
Chevron station, 2016
copperplate photogravure with gampi chine-collé on Stonehenge
edition of 3
25 x 37 in
all photo documentation by Mario Gallucci
copperplate photogravure with gampi chine-collé on Stonehenge
edition of 3
25 x 37 in
all photo documentation by Mario Gallucci